Described as “alluring” and “stirring” by The New York Times, the “arresting” (Gramophone), “irresistible” (San Francisco Chronicle), and “exhilarating” (Chicago Tribune) music of Vietnamese-American composer Viet Cuong (b. 1990) has been commissioned and performed on six continents by musicians and ensembles such as the New York Philharmonic, Los Angeles Philharmonic, Saint Paul Chamber Orchestra, Eighth Blackbird, Kronos Quartet, Sandbox Percussion, Alarm Will Sound, Atlanta Symphony, Sō Percussion, PRISM Quartet, and Dallas Winds, among many others. Cuong’s music has been featured in venues such as Carnegie Hall, Lincoln Center, the Kennedy Center, National Gallery of Art, and Library of Congress, and his works for wind ensemble have amassed over a thousand performances worldwide, including at Midwest, WASBE, and CBDNA conferences.
A composer known for his imagination and colorful voice, Cuong frequently blends the whimsical with the profound, often finding new expressive possibilities through unexpected instrumental pairings and textures. His works thus include concerti for tuba and dueling oboes, percussion quartets utilizing wine glasses and sandpaper, and pieces for double reed sextet, cello octet, and solo snare drum. This eclecticism extends to the variety of musical groups he writes for, and he has worked closely with ensembles ranging from middle school bands to Grammy-winning orchestras and chamber ensembles. His wind ensemble works are widely performed, having been programmed by the world’s preeminent wind bands such as the Dallas Winds and military bands including the United States Navy Band, “President’s Own” Marine Band, “Pershing’s Own” Army Band, Army Field Band, Coast Guard Band, and Air Force Band. These works have also been performed by the top wind ensembles at academic institutions such as the University of Texas at Austin, University of Michigan, University of North Texas, Louisiana State University, University of Miami, and Michigan State University. Passionate about bringing all these different facets of the contemporary music community together, his notable works include Vital Sines, a concerto for Eighth Blackbird and the United States Navy Band; Re(new)al, a concerto for percussion quartet with a variety of ensemble accompaniments; and a saxophone quartet concerto entitled Second Nature.
Currently the Pacific Symphony’s Composer-in-Residence, Cuong was also the California Symphony’s Young American Composer-in-Residence from 2020-23. He has held artist residencies at Copland House, Yaddo, Ucross, the Atlantic Center for the Arts, and at Dumbarton Oaks, where he served as the 2020 Early-Career Musician-in-Residence. His music has been awarded the Barlow Prize, William D. Revelli Prize, Frederick Fennell Prize, Walter Beeler Memorial Prize, Barlow Endowment Commission, ASCAP Morton Gould Composers Award, Theodore Presser Foundation Award, Suzanne and Lee Ettelson Composers Award, Cortona Prize, New York Youth Symphony First Music Commission, and Boston GuitarFest Composition Prize.
Cuong serves as Assistant Professor of Music Composition and Theory the 51Թܿƴ, where he teaches composition, orchestration, and music theory. He has also served on the faculties of the Eighth Blackbird Creative Lab and Juilliard Summer Composition. He holds degrees in music composition from Princeton University (MFA/PhD), the Curtis Institute of Music (Artist Diploma), and the Peabody Conservatory (BM/MM). His mentors include Jennifer Higdon, David Serkin Ludwig, Donnacha Dennehy, Steve Mackey, Dan Trueman, Dmitri Tymoczko, Kevin Puts, and Oscar Bettison.
"It’s an incredible honor to receive the Charles Vanda Award for Excellence in the Arts. I’m proud to teach and create at 51Թܿƴ, and I strive for my work beyond the university to bring greater recognition to the talent and spirit of our arts community.”